DOI: 10.5176/2251-3566_L313.51

Authors: Li Zeng

Abstract: 
Focusing on the formal and semantic allusive process in some of Li Shangyin’s (ca. 812-858 ) allusive poems, this paper demonstrates how the (inter-)textual space functions “as a principle of organization for making signs out of linguistic items” (Michael Riffaterre).

Keywords: 
literary allusion, sign, marker, activation, intertextuality, “clouds and rain”, overt, assimilative,
poetic signification

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